Finalised Logo

Posted by Lauren Chandler

I started to really like my idea of the the circular waves, so I thought I would develop this idea more and further. I included my other design of the ship but there was too much going on and I felt I needed to make is as simple as I could to make it look professional and for it too look at a high quality at a small scale and large scale and when I change it to greyscale.

For my final logo I have decided to go for the middle design, it follows my colour scheme really well. I am going to experiment this further in different scales and in black and white.

MOCK-UPS.

Posted by Lauren Chandler

As I have my final designs, I decided to include my designs on mobile and desktop mock ups, so I could get the real feel of what my designs would look like in context.

FINAL POSTER.

Posted by Lauren Chandler

After some feedback from Chris in the workshop, I decided to add the colour scheme and the ‘noise’ style from my web design to make sure each design relates to each other. I also changed the annotation lines to make them darker and more symmetrical. I am very happy with my end result, I feel its simple yet very aesthetically pleasing. From a 14 years old opinion I think it doesn’t go into too much detail and it’s not over complicated. I tried to design it so it could go in a physics text book, or equally in a text book on Einstein as well as being related to my ‘website’. I also made it to be more of a ‘fun fact’ about Einstein, but also keeping it educational. I created all the icons and the timeline in Illustrator. I then added the text through InDesign, using the SpaceCard and Space of Time font that I downloaded from dafont.com. I then had to place the text back into Illustrator to create the background and colour scheme.

A higher quality pdf can be found using this link: FINAL A2 POSTER

FINAL FONT.

Posted by Lauren Chandler

After editing the outlines in Illustrator, I started again applying the stencil effect into it. I placed a professional photo of coffee granules that had some blurry parts in it to create distance and texture behind the font. I made the lower case ‘coffee’ have the original ‘Costa’ coffee colour (magenta). I really do like this font, making all the letters lower case kept the design a lot more continuous and flowing. Keeping the style of ‘stencils’ and the background of coffee granules keeps the font relevant to the market but also I did it because I liked the theme of using food integrated with letter forms. The only thing I feel that would have been good was to carry on with developing the idea of physical design of the stencil behind actual coffee granules and taken professional photos of it.

FINAL FONT (PDF of the font with background)